Here’s the thing… Multi-Band is my favourite type of compression. Without a compressor, each bass note fades out quickly, causing a loss of bottom end and fullness in between each note. Writer at Musician on a Mission. You can do everything just right and still end up with music that sounds amateur if you’re missing a crucial step. Pushing the gain up will hit the compressor threshold sooner. This is likely going to be somewhere between 50-150ms. So, if you want to learn the *exact* steps that will take your mixes to a professional standard in under a year…. So go and check it out now. There are a variety of great bass compressor plugins available. You will receive a verification email shortly. Inside, you’ll learn the only 7 steps you need to go through if you want your mixes to sound professional. There is an exception, however. When I first started playing bass, compressors were just what’s known as full-band. BA1 1UA. Please refresh the page and try again. So we adjust the threshold until the compressor only kicks in when our recording hits those peaks. It’s only playing for a limited time – we’re always updating the site and this could get removed soon. For example, a 2:1 ratio means that above the threshold, each 2dB rise in volume will result in a 1dB change in signal output. Plus, it makes volume balancing ten times easier, because each bass note is around the same volume. That way, some initial attack can be heard at the front of the note. Attack and Release controls: after you’ve exceeded the set threshold, the compressor takes hold, but using the Attack control it is possible to delay the onset of compression. I’m here to help people make music that lasts. Can I use this method on the edm songs such as future bass sub bass ?? 7 Steps to Pro Mixes at Home That’s right. Then, set your attack very slow (100ms) and your release very fast (25ms). The effect is almost transparent when it’s set up properly. You’ll also want to adjust the makeup gain so that the bass is the same volume as before. Attack and Release controls: after you’ve exceeded the set threshold, the compressor takes hold, but using the Attack control it is possible to delay the onset of compression. There is an exception, however. Writer at Musician on a Mission. I use this technique on drums, vocals, and background vocals all the time. Your email address will not be published. So, if you want to learn the *exact* steps that will take your mixes to a professional standard in under a year… Once I’ve got my compression settings the way I like, I increase the threshold so that the gain reduction decreases to 2-4dB’s. Best DAW 2020: Which Digital Audio Workstation Works Best For You? One or two times per bar will suffice. The Bass Compression Trick for a Tight, Solid Low End, The bass is the foundation of the entire mix. But with the right amount of compression, that fullness is always there. You can expect anything from a pedal with a one-control-does-all approach to a unit with as many knobs crammed on to one box as its electronics will allow. Serial compression makes the bass sound more natural because rather than slamming a single compressor with 5-10dB’s of gain reduction, you’re doing an average 2-4dB’s of gain reduction over multiple compressors. Finally, decrease the threshold until you are getting 5-10dB’s of compression. Back off a few milliseconds, and you should be good. What if I told you that you can make radio-ready music at home, even if you’re new to mixing? The ratio indicates how much signal change there is after the level exceeds the threshold. Watch this free masterclass now: Watch this free masterclass and get a complete framework — or “blueprint” — for professional mixes. By Dan Veall (Bass Player) 25 February 2020. A typical fixed ratio on pedals is around 4:1. Please deactivate your ad blocker in order to see our subscription offer, The rise, fall and rediscovery of the Fender Jaguar, How to set up a Les Paul: 7 essential tips, We check over 130 million products every day for the best prices. That’s the truth. It’s only there as a good frame of reference. Guitar World is part of Future plc, an international media group and leading digital publisher. Lighter genres don’t need an especially thick and exciting low end sound. Make sure to tweak the settings of your second compressor. To start off, set your ratio between 3:1 – 4:1. My mixes sucked for years until I discovered this ONE THING that gave me the ability to make professional quality music at home. I'm here to help people make music that lasts. What if I told you that you can make radio-ready music at home, even if you’re new to mixing? Without a solid low end, the song has no “umphf.”. But with the right amount of compression, that fullness is always there. The Bass Player guide to compressors and how to integrate them in your rig. Personally, I like to set this so that only the loudest transients are affected, taking into consideration that when the adrenaline starts to kick in on stage, I may dig in a little harder. ContentsWant your mixes to sound pro?The Bass Compression Trick for a Tight, Solid Low EndWhy Do Basses Need So Much Compression Anyway?How To Compress a Bass (like a beginner)How To Compress a Bass (like a PRO)Conclusion: Bass Compression7 Steps to Pro Mixes at Home Want your mixes to sound pro? How to Make DIY Bass Traps: The Complete Guide, Split Processing Trick (Better Kick & Bass FAST! Here’s a handy chart that goes over all of the important stuff above. If there’s a manual with your pedal, do read it, as it may have some recommended settings for you to try. Songwriter and producer. That means you’re cutting off the transient of the note. You need a lot of compression to get a solid low end. Well, limiting the output signal level in comparison to the input is a good idea if you want to smooth off the peaks in your playing: it sounds professional to the ear. So go and check it out now. If so, then you’re going to love this new free masterclass. Sometimes I’ll even use them on guitars if they’re supposed to sound less aggressive.